Eastpainting Handmade Oil Painting Impression, Sunrise By Claude Monet ( 1840-1926 France ) Musee Marmottan, Paris (24×36 Inches) Review

Eastpainting Handmade Oil Painting Impression, Sunrise By Claude Monet ( 1840-1926 France ) Musee Marmottan, Paris (24x36 Inches)

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  • Handmade: This is a handmade, paint on linen canvas piece of art. Custom design and size accepted.
  • Museum reproduction: I have been to many famous museums and copy lots of original masterpiece since 2001. They captured as much details as I can. these paintings made according to the old copies, so they have accurate color and enough details.
  • Unique art style: I paint our oil painting many layers to ensure them look even more vibrant and vivid.
  • Hight-grade materials: I only use high-grade materials: the lasting oil and fine linen canvas which made by myself. all materials I used were healthy and environmenal friendly
  • Sturdy package: Hand-painted oil paintings rolled in sturdy tube, which is anti damage and moisture proof.

Size:24×36 Inches

Impression, Sunrise

Created: 1872
Location: Musee Marmottan, Paris, France
One of Monet’s most famous images, Impression, Sunrise was actually the painting that gave rise to the term Impressionism. Going through and editing the catalogue for an exhibition, Renoir’s brother, Edmond, pointed out to Monet the monotony of his titles: View of a Village, with variations. Monet supposedly replied, “Why don’t you just call them ‘impression?” In the following years, the word was to be widely used by the artists and critics alike.
Indeed, the painting itself demonstrates many of the principles of Impressionism in its composition. Monet himself remarked that it can’t really pass for a view of Le Havre’s harbor: the painting doesn’t really reveal anything. Major landmarks of the harbor are obscured by the early morning mist; the scarlet disc of the sun draws the attention more than anything else, and it overshadows any prominence other objects would have. The clear gray light illuminates the entire canvas, and accounts for the mood of the fishing scene. Monet is clearly more interested in the color of the sky than the topography of the harbor. The painting relies on the artist’s perception, not on realistic appearance. It is, quintessentially, an impression.

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